Royal College of Art MA Summer Show 2025
In a series of etchings, I reference the every day, and use inspiration from various artists of the past. The work is expanded to larger more abstract works incorporating screenprint and collograph. I have also considered humanity’s progress through the lens of 3D ceramic printing: by using a 3D scan of a Greek urn, many multiples have been made, highlighting the variations possible using the same programme. The grid features in some form in all works, as a reference to time, with our messy lives and societies chaotically layered over this.
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We will be showing our work from:
Thursday 19 June – Sunday 22 June
12–6pm daily (late opening on Friday until 8pm)
Last entrance 30 minutes before closing time.
We are based in Battersea, just over Battersea Bridge
Dyson Building,
1 Hester Road
London SW11 4AY
The Battersea campus is served by bus routes 19, 49, 170, 319 and 345.
Get the 19, 319 from Sloane Square Tube, 170 from Victoria Station, or 345 from South Kensington Tube (if you’re coming from the centre)
Buses stop at Battersea Bridge/Hester Road.
For more information, see TfL Bus maps.
A Discussion in Colour about how Facts are Distorted by Changes in Emphasis or by Mistruths (Lies) Known or Unknown.
LetterPress, Blockprint, 2024
Mis- and Disinformation together with censorship have been a method of disruption for aeons, no more so than today, where it is very evident that the Democracies in which many of us live and the freedoms we have are threatened.
Having researched this, including the mistranslations of Darwin's Origin of the Species, Russian meddling during the Spanish Civil War, through to the mayhem that is the present day, where it is of pandemic proportions, this work gives pause and an opportunity for reflection through the analog.
I used Letterpress, an original form of information dissemination and printing the written word, together with colour blockprint to 'colour' the words printed: original text is covered, word order is changed or removed, and by implementing these apparently small changes the impact and ultimately the meaning of each piece is altered.
Ideally this would work would fill a room, with many iterations (some true using multiples from originals and others fake), but that needs funding! However, this exhibit is the largest yet, shown in the recent group exhibition In Translation with colleagues from the RCA at the Handbag Factory, May 2024
