Remnants stemmed from Bird, which started as an investigation into life, death and ultimately became about the making of memories, their transfer and their destruction with time. Every image is unique, fades and is destroyed with each turn of the press. The destruction is uncontrolled and random. The images here are small series based on initial expressions using the memory of colours or emotions as a base on the plate.

 

Additional series go on until all fades and is destroyed and a only a trace remains.

To the Dust II
To the Dust III
To the Dust III